Aside from formalwear and the occasional coat, Cho says he has “a really hard time” with black — “I have yet to
figure out how to use it.” His Armoury co-founder Alan See agrees that it’s a complicated tone for tailoring. In
cloth, “Black tends to really take away from a lot of texture, things like black flannel, for example, or black
linen — unless it’s really worn in — loses a bit of its charm.” He says black apparel is best when made from
material “on the far end of the texture spectrum. Very rich and textured fabrics like corduroy and velvet, of
course, look great.”
See is a big fan of the black silk grenadine or knit tie. “Although black, the texture keeps it easy to wear and
pair,” he says. “It’s perfect to anchor down an outfit, and especially for us folk with less of a tan, adds some
contrast around the neck to make a neutral or pale outfit flatter our face.” He says black Oxfords are another
versatile menswear essential. By way of example, See reveals that a pair of these comprised half the footwear he
brought to Pitti Uomo this month. (A remarkable display of restraint.) See suggests wearing a shoe of this sort with
dark raw denim jeans or grey flannel odd trousers, a navy turtleneck and coat. Keeping the ensemble dark throughout,
he says, makes a black shoe less conspicuous.
Eminent New York arbiter elegantiarum Alan Flusser says, “Over the past 10 years, my wardrobe has seen the addition
of many black items, from knitted track pants and zipper-front sweater tops to my black velvet Belgians, and a black
cashmere sports jacket.” Of the latter, Flusser says, “I would argue that the well accessorised black cashmere sport
coat paired with grey flannels or jeans can be a boon to many men’s wardrobes.” He qualifies, however, that as a
general guideline, “navy or charcoal grey are much less stark and thus flatter the majority of people’s
complexions.”
On that note, Flusser warns, “Be careful wearing black, especially near the face. If you have medium brown hair and
fair coloured skin, or a more senior complexion of grey hair and light rosy skin, placing black under the chin can
not only distract the eye but dilute the skin’s natural pigmentation.” Conversely, he advises, “If you have a
high-contrast complexion, meaning your hair colour is dark against a white visage, black can help frame the face
within a dark border while invigorating the skin tones.” It sure works for Nick Cave and Robert Smith.
Musicians back in the day — namely, beatnik jazzmen of the mid-20th century — were responsible for black
apparel first assuming an air of insouciant cool, Flusser says. “Over the past fifty years, swathing oneself in
head-to-toe black has largely come to be identified with someone wanting to project a hip, modern, downtown kind of
personal style,” he avers.
More traditional style mavens have generally eschewed the hue. “I’ve yet to come upon Fred Astaire, the Duke of
Windsor, Gianni Agnelli or Cary Grant sporting black, other than for formalwear,” Flusser says. “The Ivy League,
vintage Brooks Brothers, classic Ralph Lauren set have tended to stay away from wearing black, substituting the more
upscale and collegiate color of charcoal gray.” Mr. Lauren himself, however, is rather fond of an all-black outfit,
finding it the perfect pairing for a rosso corsa Ferrari, ebony Bugatti or citrus McLaren.
Barbanera designer Sergio Guardì shares Lauren’s predilection for black apparel. “I love black and I like to wear it
because, to me, black is pure — exactly like white, but more discrete. It is very elegant, clean, but you have to be
comfortable in it, you have to be confident,” the sharp-dressed Sicilian says. “But black is tricky and there are
those who hate it. I know very elegant and stylish men who would never wear black normally, only when it is
required, for instance in black-tie. My brother is one of them. I understand why some people think this way, I
really get their point. They dislike black and maybe associate it with negative feelings they don’t want to
represent.”
To Guardì, black is more than simply a colour. “It’s a way of expression,” he says. “Before wearing black, you must
feel it. Which is not to say, you must be sad. Black is not sad. Black is rebellion, but also, it is soft-spoken and
yes, a bit moody or dark.” Many reserve black for the evening but Guardì is of the opinion that it can and should be
worn before sundown. “I have some black bespoke suits I wear in informal occasions, even during the day, just with a
shirt and boots — but you know, I’m a Johnny Cash fan,” he jokes.
For a more laidback look, “I think black jeans, black turtleneck and black shoes is a very elegant combination,”
Guardì remarks. “I find this kind of outfit way more classy than those brightly coloured cashmere sweaters and
scarves some people wear.” Just as there can be no yang without yin, no light without darkness, Guardì feels a dash
of black brings all-important contrast into the day. “A bit of shadow is always good,” he says. “Shadow is
romantic.”
