Indeed, as this new chapter begins, the brand’s diverse cultural inspirations remain, Sergio says, fundamental to the
company’s ethos. “Our motto is ‘truth and culture’, and I will never get tired of saying that style is not what you
own, it is what you know. You are not what you wear, you wear what you are. The same is true for designing, I think.
I see so many people thinking some clothes alone can make them be what they are not. Style is just about being
really confident in what you are wearing. I’m designing for the immaculate gentleman as well as the infamous
bastard.”
As readers will deduce from the photographs here, much of the Barbanera apparel has an American flavour to it, though
Italian authenticity is paramount. “I don’t want to design for or run an American workwear replica brand, because it
wouldn’t be genuine,” Sergio says. “It’s not us. We want to offer our unique vision to the world — so, for example,
our western-style shirts and trucker jackets are different: they have a western yoke and design, western pockets,
pearl snaps, but the cut is more ‘sartorial’, modern. We mix an amazing Italian corduroy or Japanese fabrics with
metal concho buttons hand-made in Texas. The trucker jacket has a precious, genuine shearling lining, as does the
Muddy bomber jacket in Vitale Barberis Canonico herringbone wool. To make the Trinity trousers we picked up a
precious Vitale Barberis Canonico pinstriped wool, then washed, felted and finished it as if it were denim, to get a
proper ‘gypsy’ feel while retaining a sartorially minded attitude. These kind of things make us different.”
Among the other gems here are the brand’s Harlock double-breasted military coat (“Our take on the navy military coat
— it has structure, but, being a softer wool, it’s easy to wear over jackets and blazers”) and the Jesse vest
(“There are three versions — one in VBC wool, one in Japanese pinstriped denim, and one in a washed denim with a
heavy cotton lining”). Describing the Barbanera Man, Sergio says: “He’s the kind of guy who likes being versatile
and open, being able to play with the idea of style but always keeping in mind the importance of being authentic. He
is someone who loves traditions and traditional garments but thinks, Why should I buy a vintage replica if I can buy
a real vintage one?” Yet despite these DNA strands running through the increasing numbers of brand superfans,
Barbanera have always aimed for an eclectic client base, conducive to which has been their identity as a relatively
new venture. Sergio says: “We always ask ourselves, What do we have that a 100-year-old business doesn’t have? The
answer is creative freedom. We are free, when it comes to shoes, to make the most classic elegant Oxford or the most
badass rock ’n’ roll boot under the same brand, with the same high quality. Rock ’n’ roll is about attitude, not
about studs or tying bandanas to boots.”
Their creative philosophy, then, might be described as ‘untraditionally traditional’. But make no mistake, the trio
has profound and unerring respect for the older brands, and they emulate their approach to craftsmanship in their
Tuscany workshop. If you want the best possible quality and durability, their ethos goes, who are they to question
basic methods honed over millennia? Though of course, when you stand on the shoulders of giants, you get to survey
the landscape. “Maybe we do more research about materials, leathers and the way we finish them,” says Sergio. “In
this respect, American and English makers are very good — they have a great culture in terms of washing and
finishing leather or fabrics.”
So what, for Sergio, is the number one cardinal sin when it comes to selecting the ingredients of a killer ensemble?
It’s a perennial question, after all, even for sartorially inclined men. “Asking for, and following, suggestions
from his wife or girlfriend!” Sergio says. His quip refers not to women’s tastes but external input in general. “We
should be a bit braver,” he says. “Buying something that can fit your personality, in a metaphorical way, is more
important than them fitting your body.”
Asked how he’d wish for Barbanera to be looked upon a century into the future, by which time we predict its ‘founded
in 2011’ stamp will mark it down as a generations-old house, Sergio is emphatic: “We’d like to be thought of as a
brand that was able to keep its DNA over time, without betraying its values, and found its own niche, and also spoke
a language that is easy to understand for everyone, and is timeless. For me personally, what about being the first
creative director who retired to live in his own ranch in the countryside?”