Henry Lloyd-Hughes has a tour de force of a personality. His gregarious, charismatic conversational skills at first put you off balance, but once you get your eye in (to pre-empt his love of a cricketing metaphor), it is a lot of fun, for he is articulate and positive. And he has good reason to be. His acting career has allowed him to dominate a portion of Britain’s television screens, appearing as a variety of characters, notably in The Inbetweeners as the school bully Mark Donovan, and the wildly popular Raj retrospective Indian Summers as Ralph Whelan. In feature films he has made his mark in adaptations of classic literature, starring in Anna Karenina, Parade’s End and Madame Bovary. Above all, Lloyd-Hughes is committed to the sartorial arts that this magazine passionately wishes to protect, elevate and sustain. The second season of Indian Summers is available to watch on Channel4.com.
What should we know about you?
I always talk loudly and with great speed. If there’s free space, I’ll fill it.
Who inspires you and why?
The writer Stephen Beresford. He’s such a great raconteur. I will seek him out just to listen to him. If someone is funnier than I am and more interesting, you won’t hear a fucking peep out of me. I respect that. What I can’t abide is someone who takes a lot of air and has what I call a ‘low batting average’.
You now have a presence and a growing career, but what has made that journey difficult?
The sheer inconsistency, self-belief, getting back on the horse. That’s always the most difficult thing. Rejection is the main currency of a career in my business, so being rejected isn’t that unusual. The hard bit is when you’re feeling down and someone says, ‘I need you to get up and get excited for something’ — that’s the challenge, that’s always been the challenge.
What keeps you going?
Sport. I’m always using sport as an analogy for what I do, I find it very helpful. I find the solitary nature of an actor trying to make a scene work on camera with a crew of 100 or 200 people is a microcosm of a batsman at the crease trying to focus on the minute differences in rotation of a ball in front of thousands. I genuinely believe that there are some interesting lessons. If I ever truly find myself with the will to see it through, I will probably one day write an incredibly terrible book using sports psychology to unlock the mysteries of acting.
So what’s your passion outside of work. Cricket, perhaps?
Yes, cricket is one of my huge passions, whether it’s playing or following the game. I guarantee you, if I was able to score some proper runs for my team, that would give me as much of a buzz as someone ringing and saying that I got a role in a huge movie. It would feel as important, if not more important.
Who and what informs your style of acting?
Philip Seymour Hoffman. He to me was the great visionary whose career I was desperately in awe of.