INVEST in Perennial masterpieces
Investments can be unpredictable, but not so with these four winners, which we have handpicked to provide you with sound and secure appreciation — aesthetically, spiritually and financially.

Blancpain Fifty Fathoms Bathyscaphe Chronograph Flyback with green dial To indulge in a rather moth-eaten phrasal template, there is little doubt that green, in the world of haute horology, is the new blue. Breitling’s Premier B09 Chronograph, with its gorgeous pistachio dial; Patek Philippe’s verdant take on the Nautilus; Jaeger-LeCoultre’s version of the Reverso Tribute Small Seconds inspired by the fir forests surrounding the manufacture; Montblanc’s 1858 Geosphere in bronze and olive; IWC and Blancpain introducing a Pilot’s Watch Chronograph 41 and the Villeret Extraplate Boutique Edition, respectively, with something not far off British racing green gracing their facades... All supremely elegant pieces, indicating that, having looked on jealously for so long, the pastoral hue has finally usurped its neighbour on the spectrum’s throne. There are many theories as to why. A subconscious response to the rise of environmentalism? The colour’s association with the outdoors in an era strewn with lockdowns? Some primal instinct, hardwired into us by our dependence on plant life? Whatever the reason(s), surely one of the most clear-cut executions of the trend is Blancpain’s Fifty Fathoms Bathyscaphe Chronograph Flyback with green dial and bezel, released last year in tandem with a Day Date Desert Edition in brown.


Made using nine ‘rogue’ casks from 1979 (four American oak hogsheads, five European oak butts), which were discovered in a dark corner of the premises by the master blender Dr. Craig Wilson, this exceptionally scarce liquid (only 1,380 bottles were produced) features — alongside the soft peat smoke and sweet aromas associated with Port Ellen in its heyday — notes of wood spice and pipe tobacco mingling with delicate herbal tones and burnt tangerine. A wisp of smoke delights the palate, then also calls the shots in a long, wispy finish. That’s if you end up tasting it, of course: risk hedgers seeking alternative investment opportunities are increasingly turning to whisky as a stock with emotional as well as fiscal returns. If you crack it open, do so in good company, revelling in the knowledge that, thanks to Diageo’s intervention, your offspring may get to taste something just as delectably complex in four or so decades’ time. NS Breguet Type XXI 3815 limited edition Breguet, architects of trailblazing mechanisms, are best known for their haute horology watchmaking, which includes the first ever tourbillon. The French-Swiss watchmaking genius Abraham-Louis Breguet patented his mechanical coup in 1801, 26 years after founding the marque. The family’s contributions to telecommunications and aviation have been life-changing inventions for people around the world. Precision, clarity, irresistible elegance and an infinitely baroque style have always been celebrated characteristics of Breguet timepieces. In July the house made a rare modernist move, with a stripped-down and sporty chronograph that lies within their Type XXI collection. The 3815 timepiece marks a new chapter in the history of this iconic aviation chronograph. With a titanium case and vividly coloured lume, the new limited edition 3815 deftly blends vintage and modern aesthetics. Breguet have reminded us that they were also significant players in the development of watches for aviation throughout the last century. Louis Charles Breguet, the great-great-grandson of Abraham-Louis, became one of the pioneers of French aviation. As early as 1918, Breguet delivered timepieces to several military and civil organisations, and by 1935 the company began developing its first wrist chronographs. A couple of decades later, in response to an order from the French armed forces, Breguet launched the production of a legendary watch, the Type XX chronograph, which would equip the French air and naval forces until the early 1980s.

Lardini reversible trenchcoat
“If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.” So runs one of the famous passages from Walden, a tome written by Henry David Thoreau detailing the transcendentalist American author’s experiences over two years, two months and two days in a self-built cabin in the wilderness next to Walden Pond, Massachusetts.
Along with the works of the naturalist painter Giuliano Mauri, this paean-in-prose to reconnection with nature, with its vivid accounts of autumn hues, has served as inspiration for a stunning new collection of outerwear from Lardini, a brand founded in Filottrano, in the Ancona province of Italy, by its now creative director when he was just 18, in 1978. Aptly enough, the collection of coats, trenchcoats and field jackets affords gentlemen the opportunity to keep in tune, sartorially speaking, with two very different drummers depending on his mood and the occasion.


Like many of Lardini’s compatriots lauded on these pages, the family helmed brand — which has made menswear for Italian luxury houses including Etro, Valentino, Dolce & Gabbana, Ferragamo and Versace — is a master of technical fabrics, as all will attest who have had the pleasure of experiencing its LIKNIT cloths, which blend the positive traits of linen and wool (think the resistance and durability of the former, the lightness and breathability of the latter).
Slip on the garment here, and what you have is the kind of outerwear — made from a high-quality wool, cashmere and silk drapery fabric — that is a sine qua non wardrobe staple after the autumn equinox has passed: authoritative, clean-lined, adorned with the famous Lardini flower pin, and conducive to striding through the day with emotional deference to another of Walden’s famous quotes (“If one advances confidently in the direction of his dreams, and endeavours to live the life which he has imagined, he will meet with a success unexpected in common hours”).
Reverse it, though, and a technical, elements-battling nylon fabric comes to the fore. The boldly understated silhouette is one that calls to mind another nugget of prose this culturally attuned brand has cited as an inspiration, this one from Virginia Woolf: “Clothes have, they say, more important offices than to merely keep us warm. They change our view of the world and the world’s view of us.” NS
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