For all the colour’s associations with rebirth and renewal, here the watch’s military-ish viridity is a nod to its
origin as a tool for French naval frogmen. The Bathyscaphe, after all, was introduced in 1956 as a smaller, daily,
user-friendly cousin to the Fifty Fathoms watch introduced by the then Blancpain C.E.O., Jean-Jacques Fiechter, a
few years earlier. Over subsequent years it built up a repertoire of complications (date, day/date, annual calendar,
moon phases), eventually culminating in 2014 in a version with a flyback chronograph (which enables users
simultaneously to reset the watch to zero and restart it with a single press of a pusher at four o’clock), which had
another USP: a new, in-house-developed, more accurate automatic movement that means the chronograph — which, in this
version, can be viewed via the sapphire crystal caseback — will now measure up to 1/10th of a second.
With its 43.6mm diameter and 15.2mm thickness, the satin-brushed ceramic case is a tad chunkier than Bathyscaphes
that have come before it, but that serves only to bolster legibility. The piece’s extraordinary lightness and sail
canvas strap, meanwhile, make it extremely comfortable to wear.
But it is the watch’s appearance — dressier than its siblings and yet manifestly fit for purpose (indeed, both a
diving watch you would wear on land and an eyecatching watch you would eagerly take to the depths with you) — that
makes this an attention-hogging addition to any collection. NS
Port Ellen 40-Year-Old
‘Ghost distillery’: even in the rarefied, mystique-soaked world of fine whisky, it’s an enthrallingly emotive phrase.
For the uninitiated, it refers to a whisky facility whose productive life came to an end long ago but for which a
finite supply of stock remains in existence or, in some cases, is still coming to maturity.
There’s more to the romance of this concept than rarity and provenance: it’s also about legacy and posterity. When a
master distiller lays down a whisky that will come to fruition after years or decades of extraction, evaporation,
oxidation, concentration, filtration and colouration, he proffers a gift to the future. Like the medieval artisan
laying a cathedral’s foundation stone, or the man who plants a tree in poet Alexander Smith’s aphorism, in some
cases he may never experience the final glorious expression of his labours himself. He would have had no knowledge
that the wooden casks he was setting to rest would become a finite resource due to the demise of the establishment
that employed him.
The Islay distillery Port Ellen, along with Brora — small establishments in remote crannies of Scotland — closed down
in 1983, but last year the drinks giant Diageo pledged £35m to restart production at both. Expressions laid to rest
before the two establishments’ hiatus, meanwhile, have gained near-mythical status, and this single malt, part of
the now revitalised Port Ellen’s Untold Stories series, has been singled out by Tod Bradbury, the Head of Rare and
Collectable Whiskies at Justerini & Brooks, as one of the most wonderfully complex offerings on the market.
Made using nine ‘rogue’ casks from 1979 (four American oak hogsheads, five European oak butts), which were discovered
in a dark corner of the premises by the master blender Dr. Craig Wilson, this exceptionally scarce liquid (only
1,380 bottles were produced) features — alongside the soft peat smoke and sweet aromas associated with Port Ellen in
its heyday — notes of wood spice and pipe tobacco mingling with delicate herbal tones and burnt tangerine. A wisp of
smoke delights the palate, then also calls the shots in a long, wispy finish.
That’s if you end up tasting it, of course: risk hedgers seeking alternative investment opportunities are
increasingly turning to whisky as a stock with emotional as well as fiscal returns. If you crack it open, do so in
good company, revelling in the knowledge that, thanks to Diageo’s intervention, your offspring may get to taste
something just as delectably complex in four or so decades’ time. NS
Breguet Type XXI 3815 limited edition
Breguet, architects of trailblazing mechanisms, are best known for their haute horology watchmaking, which includes
the first ever tourbillon. The French-Swiss watchmaking genius Abraham-Louis Breguet patented his mechanical coup in
1801, 26 years after founding the marque. The family’s contributions to telecommunications and aviation have been
life-changing inventions for people around the world.
Precision, clarity, irresistible elegance and an infinitely baroque style have always been celebrated characteristics
of Breguet timepieces. In July the house made a rare modernist move, with a stripped-down and sporty chronograph
that lies within their Type XXI collection. The 3815 timepiece marks a new chapter in the history of this iconic
aviation chronograph. With a titanium case and vividly coloured lume, the new limited edition 3815 deftly blends
vintage and modern aesthetics.
Breguet have reminded us that they were also significant players in the development of watches for aviation
throughout the last century. Louis Charles Breguet, the great-great-grandson of Abraham-Louis, became one of the
pioneers of French aviation. As early as 1918, Breguet delivered timepieces to several military and civil
organisations, and by 1935 the company began developing its first wrist chronographs. A couple of decades later, in
response to an order from the French armed forces, Breguet launched the production of a legendary watch, the Type XX
chronograph, which would equip the French air and naval forces until the early 1980s.
This year, the Type XXI 3815 chronograph becomes the contemporary counterpart to the previous vintage-style edition,
the Type XXI 3817, which was unveiled in 2016. The new 3815 has a 42mm case featuring the classic fluted side, water
resistance up to 100 metres, a screw-down crown, and polished and satin-finished surfaces. The bidirectional bezel,
also made of titanium, is fitted with a contrasting black lacquered 60-minute scale.
Available with green or orange numerals, markers and hands (all luminescent), this new dial also features a display
with only two counters, with a 24-hour indicator and small seconds placed at three and nine o’clock, respectively. A
new precision minute track and a date at six o’clock complete this contemporary display.
An essential element of this collection, the mechanical self-winding movement, comes equipped with a flyback
function, incorporating the latest technologies implemented by the house of Breguet, such as the silicon escapement
and balance spring. The sapphire-crystal caseback reveals the movement in all its detail, as well as a gold rotor
with a specific finish for this edition.
The Type XXI 3815 chronograph is produced in a limited edition of 250 pieces per colour. FA