Wait. Hang on. Yes. James Bond is set to wear a cosy sweater in No Time to Die, the 25th film in the British movie franchise and Daniel Craig’s last outing - no, really this time - as Bond. Sure, as the first, recently released trailer for the forthcoming film suggests, it’s a nice sweater: a boat-neck ribbed fisherman’s style, worn over a white t-shirt. But this is Down-the-Pub Bond - “Heineken - cask not bottle” - and rather like the wardrobe department forgot to change Craig between trailer and set. There’s even Rami ‘Bohemian Rhapsody’ Malek as the villain, all pouty lip and looking like he’s set to burst into “mama, just killed a man...” But where’s the hero for whom being well turned-out is as important as being well-hard?
Craig-era Bond - five films over 14 years - may have successfully re-booted the franchise for post-Bourne times, with Craig’s acting chops bringing a much needed psychological depth to the character. Yet arguably it’s been something of a let-down in sartorial terms. The trailer shows Bond in a bar, dangerously close to being mistaken as a waiter in that crisply-collared, open-necked black shirt. Or in more of those rather pedestrian, overly-fitted suits - a little too ordinary, a little too functional, a little too middle-management, too, let’s say it, high-street. In No Time to Die, Bond even wears a tie-clip, the least confident accessory in the male wardrobe - even if you are a secret agent who might want to keep a flapping tie from getting in the way of, say, saving the world. What could be used expressively - helping to give fullness to the tie - rather just sits there, looking cheap and shiny.