Book nerds, posh boys, rowing oafs and high-school jocks - there's never been a better time to school your wardrobe
in the finer arts of preppy style. Originating in the collegiate styles of the Ivy League establishments at the turn
of the 20th century - but which only really became a 'thing' in the 50s - this form of dressing stemmed from the
traditions of the big colleges in the Northwestern states, which in turn took many of their cues from the Oxbridge
styles across the pond. As they cemented their status as globally renowned institutions of academic excellence and
political clout, the campus 'couture' spread far and wide, noticeable for its references to leisure sports, among
which being lacrosse, polo, sailing, rowing, fencing and golf. They were also marked by a distinctive exclusivity,
often bearing the badges, patterns and stripes of hard-to-get-into clubs and divisions. But it was the proliferation
of iconic films in the 80s and 90s that really took the collegiate look to new accessible heights, from which perch
it has remained for no other reason than it is an easy-to-wear and versatile style of dressing.
We distilled our favourite films influenced by preppy style into four self-contained looks, so go treat your inner
English nerd, or give your secret jock self a slap on the ass!
Ferris Bueller's Day Off (1986)
Tan Leather Bomber Jacket,
Z Zegna; Brown Cashmere Vest,Rubinacci; White Cotton Mix
T-Shirt,Hamilton&Hare; White Leather Trainers, Crown Northampton;Classic Black
Wayfarers, Ray-Ban.
Arguably director John Hughes's finest hour and 43 minutes, Ferris Bueller's Day Off ranks up there with his other
cult flick The Breakfast Club. The raucous send-up of American teen culture sees high-school slacker Ferris pull an
ingenious sickie from school, while coaxing his best friend and girlfriend into capers with a stolen Ferrari, all
the while thwarting a frothing school principle. Laced with meta references and a classic soundtrack, one can't help
to cheer on the hazardous rogue Bueller and he insouciantly strides from one narrowly avoided disaster to another.
The wardrobe is a marvel of late preppiness, influenced more by the workwear traditions of Americana than by the
more formal modes of Oxbridge style. Think leather bombers, lo-fi sneakers, simple tees and shades - every bit as
cool today as it was in '86.
Dead Poet's Society (1989)
Navy Flannel Blazer with
Cream Grosgrain Trim and Burgundy Corduroy Sphinx Cap both at Rowing Blazers;White Superior Cotton
Shirt, Emma Willis;Red and Cream Silk Striped Tie, Edward Sexton; Burgundy Merino
Cardigan, Anderson&Sheppard; Beige Cotton Chinos, New & Lingwood; Burgundy
Silk Scarf, Gieves and Hawkes; Brown Leather Brogues, George Cleverley.
Dead Poet's Society comprises a fictional tragedy of its own, leading to a profoundly melancholic moment 15
years later. Private school teacher John Keating played by one of the funniest actors of all time, Robin Williams,
is blamed by senior heads for the suicide of one of his students. With outpourings of grief and affection at the
centre of poetry taught by John Keating, the character's actor Robin Williams would later take his own life. Peter
Weir's film is about an enigmatic and unconventional teacher and the students whose lives he turns upside down. Who
could forget the shouting, “O Captain! My Captain!” scene showing the entire class rise up and stand on their desks,
united in honour of their teacher. The emotionally wounded Keating leaves a restored man, buoyed by their full
support, which portrays the films gentle anti-establishment message. Its fictional setting of the conservative,
Vermont boarding school Welton Academy, couldn't embody the preppy apparel quite so perfectly. The school uniform of
gold buttoned blazers with embroidered school badges, accessorised with brightly coloured school ties, hanging down
a white shirt is the epitome of Ivy League preppy.
Brideshead Revisited (1981)
Brown Cashmere Cable Knit
Jumper, Anderson & Sheppard;Grey Gabardine Wide Leg Trousers, Edward
Sexton;White Cotton Shirt,Eton Shirts;Blue Striped Silk Tie,Fumagalli
1891;Two Tone Leather and Canvas Brogues, Joseph Cheaney & Sons.
The serial is an adaptation of the novel written by arguably Britain's greatest prose stylist of the English language
in the 20th century in Evelyn Waugh. It follows, from the 1920s to the early 1940s, the life of
protagonist Charles Ryder, including his friendships and youthful flings at Oxford University, with at first
charming drunk Sebastian and then a passionate but doomed affair with the latter's sister Julia. Charles Ryder finds
that the power and privilege experienced by the family is seductive, but he finds himself at odds with their strong
Roman Catholicism. It explores the class-obsessed preppy side of Oxford along with its more liberal virtues. The
attire in the film is a fine illustration of sophistication at the time. Three-piece double-breasted suits with
fluid flannel trousers with English pleats and turn-ups were prominent throughout. Sebastian Flyte was an insatiable
forbearer of the Oxford and Cambridge aesthetic of the time. The adaptation really delves into the romanticism, the
decadence and the poor boy/rich boy dynamic. Oxford and Cambridge are known for picnics, punting, blazers with
braiding, white cricket flannels and reciting poetry. Considering the era, this was Oxbridge preppy at its sartorial
height.
Chariots of Fire (1981)
Cream Wool and Cashmere Mix
Knitted Jacket and Cream Cashmere Polo Sweater both at Anderson & Sheppard;White Cotton
Collarless Polo Shirt, Merz.b Schwanen;White cotton Mix Pleated Trousers, Pantaloni
Torino;Brown Leather Trainers,Franceschetti;Brown Woven Belt,Elliott
Rhodes.
Chariots of Fire directed by Hugh Hudson, who is acclaimed to have revitalised the fading British film
industry, is based on the true story of two British athletes competing in the 1924 Summer Olympics in Paris. Britons
Harold Abrahams and Eric Liddell are both naturally gifted sprinters. It explores the protruding class-prejudice of
the 1920s. Eric Liddell is a devout Scottish Christian who runs for the glory of God. Harold is the son of a
Lithuanian Jew, who lives a somewhat privileged life as a student at Cambridge and uses being the fastest to
overcome what he sees as the obstacles he faces in life as a Jew. Liddell learns from the newspapers the race is on
Sunday, deciding to give a sermon in church instead of race. Abraham’s is badly beaten by the heavily favoured
United States runners in the 200-metre race. He knows his last chance for a medal will be the 100 metres which he
wins. The accoutrements of the film include smart crew-neck sweaters, often underneath rowing blazers. The
characters often wore plain white shirts, accessorised by bowties and a straw boater. It’s the classical Oxford and
Cambridge preppy combination when dressing accordingly for spectating or arriving to participate in leisurely
sports.
